Tuesday, 18 September 2012
red kite live news
red kite hit the road (note tourbus pic, above)
red kite are going to be playing in a town near you. well, if you live in reading or london, anyway.
the dates are as follows:
sunday 14th october - proud gelleries, camden
friday 26th october - rattlesnake, angel
saturday 3rd november - the abbott cook, reading
ticket links and other information to follow soon, so stay tuned to the site.
for now, here's the faceplant link for the london show at proud:
https://www.facebook.com/events/115248848626432
and the show with The Murder Barn:
https://www.facebook.com/events/345258125563857/
in other news, the album continues at a healthy trot, with red blooded males now in the bag (my good god, that track is an unholy racket). chris ware's building stories is out at the start of october, just in time for my birthday. nothing eases the passing of the years quite like a beautifully illustrated box-set chronicling an entire building's despair and self-loathing. i am giddy with anticipation.
here's today's achewood coming at you, getting mad rutty:
Wednesday, 5 September 2012
streetlights
streetlights in the mix today. this is abbie's favourite. abbie is a girl i know.
space guitar. dusty old piano chords. synthesisers. sounds like medium 21, the greatest british band that nobody (criminally) bothered to get around to listening to.
in other news, i got down to reading rocks radio for a cheeky little acoustic session with the lovely wes and jo. played montreal, saddle up son, calliope and a sneaky little cover. i'll try and get you a video soon.
lo-fi dogma project
featured below is the manifesto for the lo-fi dogma project, a swiss music project which has invited red kite to contribute to its london experiment.
lo-fi dogma is 'a recording manifesto for technical reduction in the production in the recording of music that dedicates itself to a style of recording that prioritise risk, immediacy and authenticity over certainty, cleanliness and hesitation'. all values very close to red kite's heart. it is a non-commercial project initiated by sound-development, a swiss private cultural patron institution.
we're pencilled in to record in october, so keep tabs here for more information and a heads up on where to hear the results.
more on the project (and some of the previous recordings) can be found at the website here.
it's going to be an alt-rock blast.
LofiDogma Project Description Engl Project-2
Wednesday, 29 August 2012
new notebook
essentially, i've been filling these notebooks with exactly the same thing since the age of fifteen.
calliope in the mix
when you mix an album, there is always one problem track. one track that, no matter how much you push and pull it around, seems intent on escaping you and wriggling its way out of your increasingly frustrated grip. you know it's capable of greatness, and as such you refuse to let it go quietly into the night, no matter how much it seems to want to. it's almost as though the thing just doesn't want to be heard, as though the mere fact that it had once existed is enough for it and we should simply leave it at that, thankful that we had once had the chance to bask in its conceptual greatness, its figurative grace.
calliope is that track. rather fittingly, calliope was the greek muse of the epic poets, the inspiration for the odyssey and lover of Ares, the god of war. too much symbolism to take in, there.
but we're gonna nail it today. we're going to pin it down and make it our bitch and not accept its pitiful cries for release. today we will emerge the victors.
(replace all the 'it's in that last paragraph with 'her's as i eventually decided to do, and you will see why i made said editorial decision. sounded all hella kindsa wrong.)
album is getting really close now. getting all giddy with glee.
hope this track doesn't break us.
Monday, 27 August 2012
red kite artist lyndsay martin - work in progress
always nice to see.
she also takes the nice pretty pictures i use in the blog posts and new website ads.
which, incidentally and for posterity, can be viewed here:
Thursday, 23 August 2012
going for the treble
today's overly ambitious mix session includes poltergeist (pop gem), dance with crow (funeral march) and saddle up son (cowboy ballad).
three in a day.
we will not achieve this.
opened proceedings with a fry up on the roof.
all days should begin this way.
Monday, 20 August 2012
this is cerebus (that is not a misspelling)
this is cerebus.
for those of you who do not know who cerebus is, here is a brief summary:
cerebus is an aardvark. he is also the central character of the comic book series which bears his name, and which ran for 300 issues over roughly 25 years and was collected in 16 volumes (affectionately nicknamed ‘phonebooks’) which greedily inhabit a solid foot and a half of shelf space.
cerebus was written by dave sim and it occupies a particularly peculiar place in comic book history. it is one of the greatest achievements of the art-form, combining literary pastiche, satire, philosophical treatise, belly-busting humour and exquisite, groundbreaking draughtsmanship (aided by gerhard’s background artwork which began to appear part of the way through the church and state storyline).
it was also completely mental. sim struggled with an assortment of mental conditions and over the course of the comic’s run developed some rather reprehensible views on women, homosexuality, politics and religion, not to mention taking in the odd divorce and drug-induced bouts of paranoia and megalomania.
and all of it made it into the book.
and yet, despite all of that, i still think it is brilliant.
i won’t delve any deeper other than to suggest that anyone with any interest in the subject should check out tim kreider’s excellent essay in the comics journal 301 (this article, partially reproduced here, hits the proverbial nail precisely on the head), as well as tim callahan’s articles here and here, and douglas wolk’s piece in the believer for mcsweeneys. if you think it sounds interesting then start saving and, yes, do read it from the beginning (that sense of duty to the work will stand you in good stead for future issues).
only here’s the thing: i never finished it.
nope.
i got all the way to the final volume, the last day, number 16 of 16 and... i couldn’t do it. part of it was no doubt the fact that, like much of the later volumes, it contained page after unforgiving page of barely decipherable text that i knew, again from my experience of recent volumes, was going to be largely bat-shit, box-of-frogs lunacy with smatterings of unquestionable genius. but the main reason was that i just couldn’t let the little fella go. i knew how it was going to end (and it is telegraphed early on in the series, arguably rendering its actual taking place twenty years later even more remarkable), but i just couldn’t bring myself to do it, to draw that curtain on something that had become something of an obsession for me; some of those volumes were extremely rare and had cost me far more than i should have reasonably allowed myself to pay to get hold of.
that was about 4 years ago. today i pulled it off the shelf, far more tattered and worn than any of the other volumes (i carried it around in my bag like an a4 albatross for many months, intending to get going on it as soon as i finished whatever i was reading at the time). i’ve just read dave’s introduction and he assures me he has stumbled upon a unifying theory of everything and that it lies within these beautifully drawn 250 pages, and that the only reason the scientific community has not bowed down to him in worship is that he is an anti-feminist comic book artist, shunned and exiled by nearly everybody in his field for his views.
the scary thing is that i think he means every word.
deep breath....
Monday, 13 August 2012
red kite album in the mix
todays track: new song poltergeist.
laura's coming down to do some vocals. it will get loud.
i'm reading achewood, tom's working like a dog, business as usual.
will try and book some shows today. it's been too long.
the site hasn't gone live yet, so none of you can actually read this yet. i've said 'none of you' as though there are untold legions poring over my every syllable.
never stop dreaming.
you showed me i had a way to go
before i could call you my ghost
you threw plates and rattled the corridors
blew the lights and howled at the moon
but i know i'll be okay
laura's coming down to do some vocals. it will get loud.
i'm reading achewood, tom's working like a dog, business as usual.
will try and book some shows today. it's been too long.
the site hasn't gone live yet, so none of you can actually read this yet. i've said 'none of you' as though there are untold legions poring over my every syllable.
never stop dreaming.
you showed me i had a way to go
before i could call you my ghost
you threw plates and rattled the corridors
blew the lights and howled at the moon
but i know i'll be okay
Monday, 6 August 2012
tom does all the hard work
essentially tom does all the hard work whilst i read old achewood strips and chip in every half hour with vague statements such as "make the drums more expansive" and "increase the dynamism".
phillipe is such a hoot.
red kite in the mix
today's mix: spanish courtyard.
a song about childhood, death and running guns on the high seas.
apparently the bassline sounds like the smiths.
a song about childhood, death and running guns on the high seas.
apparently the bassline sounds like the smiths.
the rise and fall of facebook
my facebook gripes, summed up neatly by emily gonneau, manager of ok go.
http://blog.midem.com/2012/08/emily-gonneau-beware-facebook-youre-on-a-very-slippery-slope/#.UB-FvzXplrY.facebook
http://blog.midem.com/2012/08/emily-gonneau-beware-facebook-youre-on-a-very-slippery-slope/#.UB-FvzXplrY.facebook
Subscribe to:
Posts (Atom)